By Bill Marshall

ISBN-10: 0719058317

ISBN-13: 9780719058318

This is the 1st full-length monograph in English approximately one in all France's most crucial modern filmmakers, possibly most sensible identified within the English-speaking international for his award-winning Les Roseaux sauvages/Wild Reeds of 1994. This learn locates André Téchiné inside historic and cultural contexts that come with the Algerian struggle, may well 1968 and modern globalization, and the effect of Roland Barthes, Bertolt Brecht, Ingmar Bergman, William Faulkner, and the cinematic French New Wave. The originality of Téchiné's 16 function movies lies in his refined exploration of sexuality and nationwide id, as he demanding situations expectancies in his depictions of homosexual kinfolk, the North African dimensions of up to date French tradition, and the center-periphery courting among Paris and particularly his local southwest.

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1988). Le Pli: Leibniz et le baroque. Paris, Minuit. Deleuze, G. Guattari (1972). L’Anti-Oedipe: capitalisme et schizophrénie. Paris, Minuit (1984). Anti-Oedipus: Capitalism and Schizophrenia, translated by R. Hurley, M. Seem and H. Lane. London, Athlone Press. Fieschi, J. (1977). Entretien avec André Téchiné. Cinématographe, 23 (January), 21–24. Fieschi, J. (1977a). Entretien avec Bruno Nuytten. Cinématographe, 23 (January), 28–29. Forbes, J. (1992). The Cinema in France: After the New Wave. London, BFI/ Macmillan.

Seem and H. Lane. London, Athlone Press. Fieschi, J. (1977). Entretien avec André Téchiné. Cinématographe, 23 (January), 21–24. Fieschi, J. (1977a). Entretien avec Bruno Nuytten. Cinématographe, 23 (January), 28–29. Forbes, J. (1992). The Cinema in France: After the New Wave. London, BFI/ Macmillan. Frenais, J. (1977). Entretien avec André Téchiné. Cinéma, 217, 54–58. Higson, A. (2003). English Heritage, English Cinema: Costume Drama since 1980. Oxford University Press. Jones, K. (1997). André Téchiné: la estrategía de la tensión.

Cahiers du cinéma, 165 (April), 71–72. Téchiné, A. (1965e). Bergman et la trace. Cahiers du cinéma, 168 (July), 88–89. Téchiné, A. (1965f). L’archaïsme nordique de Dreyer. Cahiers du cinéma, 170 (September), 36–37. Téchiné, A. (1966a). La fin du voyage. Cahiers du cinéma, 181 (August) 24–25. Téchiné, A. (1966b). Les miroirs silencieux. Cahiers du cinéma, 184 (November), 42. Téchiné, A. (1967). De trois films d’une certaine parole. Cahiers du cinéma, 189 (April), 49–51. Téchiné, A. (1976). Souvenirs d’en France.

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André Téchiné by Bill Marshall


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