By Ernest Mathijs, Xavier Mendik
This moment identify within the AlterImage sequence that investigates formerly under-explored components of well known and cult cinema ( Underground U.S.A. being the 1st quantity) good points over 20 essays from an eclectic diversity of writers uncovering the cult cinema of Europe. The writers ponder such strange and numerous issues as Russian horror cinema, British exploitation, Belgian replacement cinema and Black 'Emmanuelle' motion pictures. Alternative Europe additionally comprises specific interviews with such 'trash' movie administrators as Jess Fano and Brian Yuzna ( Reanimator, etc.).
thanks to psyko at CG
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Extra resources for Alternative Europe: Eurotrash and Exploitation Cinema Since 1945 (Alterimage)
Eschewing cinema's superior possibilities for nudity and sexual explicitness, Queen Kong is reminiscent of other, more innocent continuations of traditional English low humour. The deliberate bad jokes, numerous film references and self-mocking address to the 34 audience remind one of the plays that Ernie wrote for the Morecambe and Wise Show - a similarity clinched by a crocodile declaring, as Eric frequently did in the show, that we are watching 'rubbish'. Closer still is the film's resemblance to a pantomime, that peculiarly English theatrical form with its fairytale settings, excruciating puns, gender reversals, shabby special effects, topical ad libs and musical interludes - elements all presenr in Queen Kong, but not obviously conducive to box-office success.
A powerfully built, formidable nymphomaniac ... [she] was especially fond of horse-riding exercises [and] like[d] to ride through the camp, whipping any prisoner who attracted her attention. e. ' 8 Even this 'historical' description of Use Koch, from a historical encyclopaedia-type book, reduces the complexities of a real person into its most sensational elements in order to convey the extreme behaviours of those who ran the concentration camps. But other characterisations of Use Koch also appear in some of the Italian sexploitation films too.
Having fallen in love with Ray, Queen Kong is subdued with gas bombs and transported to London, where she is put on public display and forced to wear bra and panties. Outraged, she escapes with Ray, demolishes much of tourist London, and ends up on top of Big Ben. Ray saves her from the military with an impassioned speech declaring her a symbol of oppressed women everywhere. Women across Britain take to the streets in the gorilla's defence, and she and Ray are returned safely to Lazanga-Where- 32 They-Do-The-Conga as an unlikely happy couple.
Alternative Europe: Eurotrash and Exploitation Cinema Since 1945 (Alterimage) by Ernest Mathijs, Xavier Mendik